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Floating Heads and Butt Shots

 

The New and Improved Movieha Podcast!

 

Leni Riefen-stalling

 

Cutting Room

 

Cons, Vexing

 

Cutting Room

 

Please Sir, May I Have My Job?

 

How to Have a Magnificent Period

 

Movieha! Your favorite movie podcast

 

Cutting Room

 

Movieha! - Omaha’s favorite movie podcast

Hello lovelies,

It's time once more for your weekly indulgence, as we have birthed another Movieha for you to pop in your ears. This week we hunger for blood and ice cream, ponder Harrison Ford's replication, look into some Holy Motors, don't hate Men in Black 3, take a dip with Submarine, and drop some poetic verse on your ass. All in a week's work. Listen up and then hit me on the other side for the trailers...


Cutting Room for May 25

  • It’s not a good sign when a movie gets delayed. It’s really not a good sign when the cover story is a conversion to 3D. It’s really, really not a good sign when a movie gets delayed about a month before its release after a year of marketing, including a Super Bowl ad, which I’m told can be marginally expensive. G.I. Joe: Retaliation has become G.I. Joe: Retreat, as the movie moved to March 29, 2013 from June 29...


Movieha! - Omaha’s favorite movie podcast

It's Friday again! And this is a day that is popular for reasons other than its inclusion in an internet meme and the name of a chain restaurant. That's right, it's beloved because it's the day you get new Movieha! This week we discuss exorcisms and Alf, explore a trailer that will probably get Matt sued, ponder what has become of Sacha Baron Cohen, analyze a Netflix movie that involves a porn star, and wrap up...


Borderline Jiggy

The first Men in Black (or MIB as our abbreviation-addled, advertising-driven society insists we call it) was just regular bad. But MIB2 was a very special kind of bad, the kind that comes from trying to replicate the box office success of the first endeavor to the point of soul-crushing, benign banality. So it was surprising to hear director Barry Sonnenfeld and writer Etan Cohen describe how they were returning...


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