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Film

Think on Your Sins, America

 

Cutting Room for April 17

 

Sexually Transmitted Ignorance

 

The Bacon of Blockbusters

 

Movieha! Your favorite movie podcast

 

Cutting Room for March 27

 

Unlucky Harms

 

Cutting Room for March 20

 

Mocku-Dracu-mentary

 

Don’t Watch Once

 

There is an appropriate amount you’re allowed to like horror movies

Like I said, we're shaking things up on this blog. That means more essay-type stuff while I'm working towards the unquestionable impending awesomeness that shall be the Reader's movie podcast. Now, before I get all wordy up in here, hella props to Dan J who dropped me a line with a few suggestions for that aforementioned dose of audio awesome we're working on. You don't know the squee-inducing joy of receiving a...


Cutting Room for April 13

  • It’s fitting that a movie with “thief” in the title is about to be part of a crime, as Alfred Hitchcock’s classic To Catch a Thief is getting remade. Although we don’t know as of now who will replace Grace Kelly and Cary Grant — thank goodness those two are so easily replaceable — we do know that the script will be written by Josh Stolberg. So no worries there; you definitely want the guy who last...


Did you miss me?

I feel like this particular blog post is like running into an ex-girlfriend or boyfriend (or, if you're lucky...both) months after a mutual breakup. I have this overwhelming urge to thrust my hands deep in my pockets to avoid nervous gestures (I get really handsy when I'm worked up) and a desire to look down at the ground and mumble questions you'd ask of a total stranger and not of someone you have seen naked...


Out in the Street

“I had no plans to make a film like this,” says director Matt Porterfield. He's speaking from Los Angeles, where he's promoting his latest picture, Putty Hill, which has its Omaha premiere on Friday at Film Streams. It's his second feature, after Hamilton in 2006 (which will screen on Sunday), and it has gotten quite a lot of good attention lately, not least from Richard Brody of The New Yorker and from Roger...


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Ex Machina

A brilliant bit of science fiction that works like a tense stage play.

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A+

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'71

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Kill Me Three Times

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