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Film

Once, Again

 

Speaking of Unholy Abominations…

 

Never Go “Full Arthouse”

 

Ride this Dragon

 

United in Praise

 

Cutting Room for May

 

Twitter Wars: A New Nope

 

Can Mew Dig It?

 

Fashion Backward

 

Yas, Queens!

 

Circular Logic

Writer/director Rian Johnson is fantastic at making pretty good movies. 2005’s Brick was a slyly conceived yarn that took 1940s private dick dialogue and plot and affixed it to a modern high-school setting, with middling effect.  2008’s The Brothers Bloom was a nearly great con man movie without a great con anywhere in it. And now comes Looper, Johnson’s first foray into sci-fi and bigger budget; the result is…yet...


Brand Xenu Man

Writer/director/demigod of modern American cinema Paul Thomas Anderson—or PTA as his peeps call him—has a filmography so stunning that merely making a very good movie means it’s his worst one yet. So, with a heavy heart comes the news that The Master isn’t outright the best film of the year; it’s only one of the best films of the year. Step up your game, PTA.

What keeps this Scientology-tinted dual character...


Cutting Room for September 21

  • As a fan of clever acronyms and a supporter of equality, I’m double thrilled to tell you that The Institute for Career Advancement Needs (ICAN) and Nebraska Educational Telecommunications (NET) are teaming up to screen Half the Sky: Turning Oppression into Opportunity for Women Worldwide to the University of Nebraska at Omaha College of Business Administration’s Mammel Hall on Thursday, Sept 27 from 7-10. It...


Too Many Ds

When you remake a movie that originally starred Sylvester Stallone and Rob Schneider, it’s not a challenge to clear the bar that was set. Limbo-ing beneath it, however, would require a shrink ray gun. So it is the faintest of all possible praises to say that Dredd 3D, the latest attempt to bring a gory U.K. comic book to the big screen, is the best movie to ever feature Judge Dredd. Of course, that doesn’t mean...


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