Between the balmy, carefree beats of the Beach Boys and the edgier introspection of the Beatles, showing less grit than Dylan and more mysticism than the Rolling Stones, Donovan Leitch, known simply as “Donovan” then, bounded to the top of the charts in the mid-1960s.
With iconic hits such as “Sunshine Superman,” “Mellow Yellow,” “Hurdy Gurdy Man,” “Catch the Wind,” “Atlantis,” and “Season of the Witch,” Donovan led more than one generation to metaphysics-as-music and music-as-mystical musings. His strong anti-war stance and embrace of Transcendental Meditation made him the epitome of peace, love and elevated consciousness.
Donovan was rock royalty, shepherding the Beatles and Hollywood illuminati to India to study the ancient traditions of awareness long before “yoga” was an everyday word in America.
Trained as a classical musician with roots as deep as the ages, Donovan gathered legendary musicians to play on his records in the ‘60s. The members of Led Zeppelin first played together in the studio on his “Hurdy Gurdy” sessions. Jeff Beck and Jimmy Page were regular guitarists on his hits. But as popular as Donovan became, he remained true to the thread of healing energy that wove through the fabric of his music.
Years ago, Donovan and I chatted on the phone about the power of music as an agent of healing.
Catching the wind One of the characteristics of Donovan’s music that I always associated with healing was his use of breath and vibrato. He told me about it.
“I found myself doing it naturally,” Donovan said. “You can hear it appearing early in my music but it came fairly forward I suppose on “Hurdy Gurdy Man.” It’s a kind of yogic breathing coming from the solar plexus.”
Donovan noted other musicians have their own particular pulse and way of using vibrato.
“Neil Young has a real slow one, his own particular one,” he told me. “Phoebe Snow has a fast one. My one is of a particular speed, one I would just describe as a soothing feeling. A lot of people thought it was [an electronic] tremelo coming through a guitar amplifier. It isn’t.
“The effect of the way I sing, I found I could move the air in certain ways. I found this naturally and only later did I read about it and found that it actually once upon a time was taught in ancient Celtic days as part of the teachings of poetry and how to sing. A fascinating subject.
“The trip to India was to rediscover what mantras and meditation techniques had been taken out of the Christian background that I grew up with. I knew there had to be something. The rich, northern European culture that existed before Christianity had it. But where did it go? I knew that the Celtic thing was important. They burned a lot of manuscripts but a few survived. The Celtic bardic tradition is passed on in oral fashion.
“When the Druids and bards ended, — and by the way, there were schools of Bardic poetry in 17th century Scotland, hidden schools — what was lost? Where was that meditation? Where was that healing? Then I realized it was in the music, in the story telling. It was actually projected through story, poetry and song.
“As for the healing aspects of chanting, it’s very highly advanced. I became part of the tradition. And when I could move an audience with the sound of my voice, I was using the healing technique of the Celts, of the ancient Druids. They went to school for 21 years, in seven-year periods learning techniques. What were those techniques? Why would you take that long? What were they learning? So there is a whole mystery school that was lost. So that healing aspect of my music I now relate to the techniques that I naturally have inherited from a school that has been lost.”
Donovan said that voice and music are related in the tradition of healing. Sound, even that projected vocally by actors and orators, is in keeping with that.
“The power of speech remains a part of Celtic tradition. Lennon, McCartney are Celtic names. They come from Irish descent. The powerful actors Sean Connery and Richard Harris, the power of oratory and poetry with Joyce, Yeats, Seamus Heaney — all are examples.
“This powerful healing is extraordinarily strong. [Woody] Guthrie is a Celtic name. Pressley (as in Elvis Presley is a Celtic name. It traces through the bloodline, somehow passed on. I don’t know how. This sort of aspect of the music and the words is very powerful Western magic or healing.”
Chakra tones An Eastern aspect many yoga practitioners recognize is the presence of energy centers at areas of the body called chakras. There are seven main ones. Donovan told me certain sounds relate to the varied chakras. He cited the famous sons of Shenandoah, Iowa: the Everly Brothers.
“Melody, and harmony are important because they link to chakras,” Donovan explained. “The absolute mastery of melody that the Beatles had was mixed with the absolute mastery of harmonics described by a professor in the ‘60s as Aeolian. And the Everly Brothers harmonies are Aeolian, unusual. I don’t know anyone who has been able to copy the Everly Brothers.”
Donovan continues to make music, talk about meditation and work on his art of healing. And he sees himself as both master and teacher, still learning. Keeping the chakras aligned is vital in the view of Eastern metaphysics. Harmony and healing are linked.
“They are somehow related. When the harmonies are highly advanced and the sound is highly balanced in rhythm, poetic meaning comes later. Rhythm, harmonics, structure when highly advanced, it harmonizes the chakras. You can realign with certain melodies; go up and down the chakras. That’s a simple answer. I can’t describe it in any other way. Fascinating.”
The best way to experience it is to bask in a little Sunshine Superman yourself.
Heartland Healing examines various alternative forms of healing. It is provided as a source of information, not as medical advice. It is not an endorsement of any particular therapy, either by the writer or The Reader. Access past columns at www.HeartlandHealing.com