Identical twin brothers from Jewish suburbia, Ezra and Adeev Potash, are Omaha’s unlikely gift to the jazz world. Their soul and funk-infused horn playing has everyone from Big Sam Williams to Wynton Marsalis singing their praises.
Ezra plays trombone, tuba and sousaphone. Adeev plays trumpet. The Westside High School grads recorded their 2012 debut album, “Twintuition,” in Omaha as a New York City calling card. The 19-year-olds are elite music students there.
They’ve parlayed a gift for schmooze and chutzpah into private lessons and close personal relationships with jazz greats, notably trumpet master Marsalis.
“When we go to concerts we bring our instruments with us and for us that’s like a baseball fan bringing your glove to a game hoping to catch a foul ball. But for us the foul ball is the lesson, and we’ve caught a couple foul balls,” says Adeev.
They also have a knack for nabbing national attention. In March they performed at South by Southwest in Austin, Texas, where they led an impromptu New Orleans-style Second Line down Sixth Street that National Public Radio featured. A film crew following them for a proposed Reality TV series was there and at the May Berkshire Hathaway shareholders meeting the brothers performed at.
Currently back in Omaha on summer break they’re performing June 8 with their band The Potash Twins at LoessFest on the same bill as Don Vattie, a New Orleans legend Marsalis introduced them to. The free fest is at River’s Edge Park on the Bluffs end of the pedestrian bridge. The brothers’ group consists of players from the Westside jazz band they anchored along with other hometown friends. Following their 4 p.m. appearance Preservation Hall Jazz Band takes the stage at 7:30.
Ezra, who describes himself and Adeev as “musicians, entertainers and personalities,” says they realize how surreal a ride they’re on. It’s why they’re already writing their memoir.
“It’s been a fast transition and a huge transition for us,” he says. “You wouldn’t believe some of these things that happen to us. I have to write them down. Every time something happens we look at each other and say, ‘I can’t believe this is happening.’ “
Like meeting jazz heavyweight Jonathan Batiste on the streets of New York and being invited to a Harlem church gig he was playing. They went to dinner with him and that led to playing with him at the famed Dizzy’s Club, where Marsalis and Bobby McFerrin were their rooting section. All that in their first week in the city.
Ezra and Adeev have since performed several times with Batiste.
“We can’t believe the way our lives have turned out. We were never that serious about being musicians until we met Wynton in 2008. The next thing we know we’re playing with all these people and invited to all these things, living in New York City,” says Ezra.
Their superstar mentor, Marsalis, opens doors for the twins to hang out and jam with major artists. Indeed, the brothers may have never emerged as promising jazz newcomers if not for Marsalis, who took them under his wing in a series of backstage encounters that changed the way they thought about music.
That first meeting in the green room of the Lied Performing Arts Center in Lincoln, Neb. turned into an extended private lesson.
“We talked for a really long time about what it means to be a musician. Wynton’s very about being humble and just representing the music like you’d represent yourself. It’s something he always talks about,” says Ezra. “When Wynton told us ‘you guys should be learning this’ we had to learn it, especially if we wanted to continue a relationship with him. It was like, If we want to be musicians this is what we need to do. He handed us like a free pass almost.”
The twins acknowledge their nonchalant attitude about music turned around once Marsalis entered their lives.
Ezra says, “That lesson really got us serious about being musicians. Everything changed from that point on.”
“We started practicing a lot more,” adds Adeev.
After a Marsalis concert in Minneapolis the brothers attended Marsalis offered to help with their college admissions applications. They’re not entirely sure why he’s taken such an interest other than the fact “he knew we were eager,” says Ezra. “He gets it that we understand basically what he wants us to do.”
“We’re apt students,” says Adeev. “When we saw him the third or fourth time he said he had a huge connection to us because we were old souls. But I don’t know if that would describe us.”
They do acknowledge their deep appreciation for jazz is unusual for people their age. Their brazen approach to big names, usually sneaking or fast-talking their way backstage, “kind of takes artists by surprise,” says Adeev.
“They can see we’re really interested,” says Ezra. “They don’t mind, especially because we’re eager to learn from them, and we’re respectful and we really appreciate their time. They see we’re more students than fans.”
“We think this is something jazz musicians have – a willingness to welcome eager younger musicians. It’s a jazz family,” notes Adeev.
The twins attribute their rapid progress to hard work and good instruction more than prodigious talent.
“I wouldn’t say we have natural ability. I just think we’ve had really good music education,” Adeev says.
Ezra observes, “I think we’re the poster children of Omaha or Westside music education. We learned how to play and we just continued.”
Then came the lessons from jazz greats. Today, Adeev studies under Dizzy Gillespie protege Jon Faddis and Ezrra with veteran sideman Dave Taylor. “We take what they give us and we kind of run with it,” says Adeev.
They know they still have much to learn.
The brothers are not only tight with Marsalis but with his Jazz at Lincoln Center Orchestra, whom they first met in Omaha in 2009 “after worshiping their musicianship for a year,” says Adeev.
“We knew all of them by name. We had studied this band. It’s like people collect baseball cards, well we memorize everything about certain jazz musicians,” says Ezra. “We got such a connection with them the first time and we got like really good one-on-one advice from top New York musicians.
“They are like our adopted parents in New York City. It’s pretty special because Jazz at Lincoln Center is a huge organization. These guys are pretty famous. We feel so honored with that “
The twins are determined to get horn players respect across genres. They aspire being the horn section of a famous band.
They also want to revive Omaha’s live jazz scene. They recently played at Loves Jazz and Arts Center, where they learned about its namesake, local music legend Preston Love Sr. and North Omaha’s jazz hub legacy.
“We want to give back to Omaha specifically. We want to bring in these big artists we know. We really want to develop a New York City-Neb. jazz connection,” says Ezra, who confirmed he and Adeev are LJAC’s new artistic directors.
He’s aware how strange it is he and Adeev are “the jazz representatives of Neb. in New York.” He’a aware too how ironic it would be if North O’s jazz scene is resurrected through the efforts of two white Jewish boys from the ‘burbs. But they’ve found a shared interest with Loves Jazz to recapture a music heritage.
“They have the passion for it, we have the passion too. We want to bring that back,” says Ezra, who imagines a packed jazz club and hot jam sessions there. “We really do have a love for the music and we’re trying to bring it to places where it’s not as accessible. A lot of people say jazz is dead. It’s definitely not at its peak but I think it’s something people can relate to if they put the effort in.”
Meanwhile, the bros have written original tunes for their second album, which they’ll record in New York this fall.
Follow the Potash Twins at www.facebook.com/PotashTwins.
Read more of Leo Adam Biga’s work at leoadambiga.wordpress.com.