<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>The Reader</provider_name><provider_url>https://thereader.com</provider_url><author_name>Melinda Kozel</author_name><author_url>https://thereader.com/author/melinda-kozel/</author_url><title>They Built This Country</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="XTOZTnFAVc"&gt;&lt;a href="https://thereader.com/2016/11/01/they-built-this-country/"&gt;They Built This Country&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://thereader.com/2016/11/01/they-built-this-country/embed/#?secret=XTOZTnFAVc" width="600" height="338" title="&#x201C;They Built This Country&#x201D; &#x2014; The Reader" data-secret="XTOZTnFAVc" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/*! This file is auto-generated */
!function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l&lt;n.length;l++)n[l].style.display="none";for(l=0;l&lt;i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(s=parseInt(t.value,10)))s=1e3;else if(~~s&lt;200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><thumbnail_url>https://i0.wp.com/thereader.com/wp-content/uploads/2019/03/Templeton.jpg?fit=1070%2C866&amp;ssl=1</thumbnail_url><thumbnail_width>1070</thumbnail_width><thumbnail_height>866</thumbnail_height><description>Art has forever communicated struggle, political movements and humanity to an audience that may not otherwise see it. Artist TJ Templeton carries on this tradition with his new solo exhibit at Petshop Gallery, Youthful Commodities focusing on the all-too-recent practice of child labor in America&#x2019;s history. A combination of assemblages, encaustics and printmaking tell a [&hellip;]</description></oembed>