<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>The Reader</provider_name><provider_url>https://thereader.com</provider_url><author_name>Michael Krainak</author_name><author_url>https://thereader.com/author/michael-krainak/</author_url><title>'Home Sweet Home'</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="avU8dEV0p0"&gt;&lt;a href="https://thereader.com/2018/05/28/home-sweet-home/"&gt;&#x2018;Home Sweet Home&#x2019;&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://thereader.com/2018/05/28/home-sweet-home/embed/#?secret=avU8dEV0p0" width="600" height="338" title="&#x201C;&#x2018;Home Sweet Home&#x2019;&#x201D; &#x2014; The Reader" data-secret="avU8dEV0p0" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/*! This file is auto-generated */
!function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l&lt;n.length;l++)n[l].style.display="none";for(l=0;l&lt;i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(s=parseInt(t.value,10)))s=1e3;else if(~~s&lt;200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><thumbnail_url>https://i0.wp.com/thereader.com/wp-content/uploads/2019/03/Homes-Foreclosed.jpg?fit=1256%2C1352&amp;ssl=1</thumbnail_url><thumbnail_width>1256</thumbnail_width><thumbnail_height>1352</thumbnail_height><description>Artist Katie B. Temple has a knack for lending an appealing graphic design to even the most skeletal of her bare bones house paintings. This paradox may account then for the title of her new solo exhibit Home Sweet Home,which opens Friday, June 1, at the Little Gallery in Benson. All of the paintings, over [&hellip;]</description></oembed>