<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>The Reader</provider_name><provider_url>https://thereader.com</provider_url><author_name>Leo Adam Biga</author_name><author_url>https://thereader.com/author/leo-adam-biga/</author_url><title>El Museo Latino: A Quarter Century Strong</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="lPENY1IAjy"&gt;&lt;a href="https://thereader.com/2018/09/13/el-museo-latino-a-quarter-century-strong/"&gt;El Museo Latino: A Quarter Century Strong&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://thereader.com/2018/09/13/el-museo-latino-a-quarter-century-strong/embed/#?secret=lPENY1IAjy" width="600" height="338" title="&#x201C;El Museo Latino: A Quarter Century Strong&#x201D; &#x2014; The Reader" data-secret="lPENY1IAjy" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/*! This file is auto-generated */
!function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l&lt;n.length;l++)n[l].style.display="none";for(l=0;l&lt;i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(s=parseInt(t.value,10)))s=1e3;else if(~~s&lt;200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><thumbnail_url>https://i0.wp.com/thereader.com/wp-content/uploads/2019/02/Screen-Shot-2018-09-12-at-12.20.29-PM.png?fit=300%2C243&amp;ssl=1</thumbnail_url><thumbnail_width>300</thumbnail_width><thumbnail_height>243</thumbnail_height><description>Omaha&#x2019;s a livelier place today than 30 years ago because Individuals noted cultural voids and put their passion, reputation or money on the line to create iconic attractions. Blue Barn Theatre, The Waiting Room, Slowdown, Film Streams, Kaneko, Holland Performing Arts Center, Union for Contemporary Art and Gallery 1516 are prime examples. Count El Museo [&hellip;]</description></oembed>