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<oembed><version>1.0</version><provider_name>The Reader</provider_name><provider_url>https://thereader.com</provider_url><author_name>Kent Behrens</author_name><author_url>https://thereader.com/author/kent-behrens/</author_url><title>'Love Letters'</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="4je5Z9wWbg"&gt;&lt;a href="https://thereader.com/2018/11/26/love-letters/"&gt;&#x2018;Love Letters&#x2019;&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://thereader.com/2018/11/26/love-letters/embed/#?secret=4je5Z9wWbg" width="600" height="338" title="&#x201C;&#x2018;Love Letters&#x2019;&#x201D; &#x2014; The Reader" data-secret="4je5Z9wWbg" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://i0.wp.com/thereader.com/wp-content/uploads/2019/03/Two-patrons-view-Peter-Fankhausers-video-installation-Bikini-Atoll-Beach.jpg?fit=1280%2C883&amp;ssl=1</thumbnail_url><thumbnail_width>1280</thumbnail_width><thumbnail_height>883</thumbnail_height><description>The current exhibit at the Michael Phipps Gallery, Love Letters,pairs Roberta &#x201C;Bert&#x201D; Leaverton with Peter Fankhauser for an excursion into the physical and psychological detritus of conflict and the personal and societal disruptions it leaves behind. Ruminations get filtered through medium, time and distance, changing memories and each person&#x2019;s recollections and responses to conflict. However, [&hellip;]</description></oembed>
