<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>The Reader</provider_name><provider_url>https://thereader.com</provider_url><author_name>Janet Farber</author_name><author_url>https://thereader.com/author/janet-farber/</author_url><title>Street Theater</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="je4QqHGgRc"&gt;&lt;a href="https://thereader.com/2019/03/11/street-theater/"&gt;Street Theater&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://thereader.com/2019/03/11/street-theater/embed/#?secret=je4QqHGgRc" width="600" height="338" title="&#x201C;Street Theater&#x201D; &#x2014; The Reader" data-secret="je4QqHGgRc" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/*! This file is auto-generated */
!function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l&lt;n.length;l++)n[l].style.display="none";for(l=0;l&lt;i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(s=parseInt(t.value,10)))s=1e3;else if(~~s&lt;200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><thumbnail_url>https://i0.wp.com/thereader.com/wp-content/uploads/2019/03/DSC02211smb.jpg?fit=936%2C1236&amp;ssl=1</thumbnail_url><thumbnail_width>936</thumbnail_width><thumbnail_height>1236</thumbnail_height><description>When Michael Dressel sets out into the crowded streets of Hollywood, he&#x2019;s not scouting for talent &#x2014; he&#x2019;s on the lookout for those small, rich moments of visual theater in the drama of the every day. The results of his recent perambulations are on view in more than 60 black-and-white photographs in the Garden of [&hellip;]</description></oembed>