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<oembed><version>1.0</version><provider_name>The Reader</provider_name><provider_url>https://thereader.com</provider_url><author_name>Melinda Kozel</author_name><author_url>https://thereader.com/author/melinda-kozel/</author_url><title>'The Black Interior'</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="c7TvbmXgUy"&gt;&lt;a href="https://thereader.com/2019/03/17/the-black-interior/"&gt;&#x2018;The Black Interior&#x2019;&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://thereader.com/2019/03/17/the-black-interior/embed/#?secret=c7TvbmXgUy" width="600" height="338" title="&#x201C;&#x2018;The Black Interior&#x2019;&#x201D; &#x2014; The Reader" data-secret="c7TvbmXgUy" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://i0.wp.com/thereader.com/wp-content/uploads/2019/03/After-Central-St.jpg?fit=4617%2C3648&amp;ssl=1</thumbnail_url><thumbnail_width>4617</thumbnail_width><thumbnail_height>3648</thumbnail_height><description>Mulitmedia artist Glyneisha Johnson joins the Union for Contemporary Art from Kansas City to share The Black Interior, an illustration of the public and private expressions of black culture opening March 21. The exhibition looks at the way that private interior spaces make it possible for black identity to flourish away from the public environments [&hellip;]</description></oembed>