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<oembed><version>1.0</version><provider_name>The Reader</provider_name><provider_url>https://thereader.com</provider_url><author_name>Elmer Ellefson</author_name><author_url>https://thereader.com/author/elmer-ellefson/</author_url><title>Photo Perceptions - The Reader</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="E3AwA7ZXYX"&gt;&lt;a href="https://thereader.com/2020/02/07/photo-perceptions/"&gt;Photo Perceptions&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://thereader.com/2020/02/07/photo-perceptions/embed/#?secret=E3AwA7ZXYX" width="600" height="338" title="&#x201C;Photo Perceptions&#x201D; &#x2014; The Reader" data-secret="E3AwA7ZXYX" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://thereader.com/wp-content/uploads/2020/02/Art-picks-FactFiction-in-Contemporary-Art-202002-James-Casebere-Sea-of-Ice-2014-pigment-print-.jpg</thumbnail_url><thumbnail_width>1800</thumbnail_width><thumbnail_height>1368</thumbnail_height><description>The time-honored expression &#x201C;A picture is worth a thousand words&#x201D; suggests that we can communicate complex ideas through one single image. In the pre-digital world of photography, these images were believed to be factual and unaltered. Fact and Fiction in Contemporary Photography, organized by Toby Jurovics, chief curator at Joslyn Art Museum, explores and challenges [&hellip;]</description></oembed>