Briefly featuring a sentient, talking automobile named Peter Parkedcar, “Spider-Man: Across the Spider-Verse” is somehow both goofily absurd and sneakily profound. A splash of Dadaism, a dollop of Nietzsche, and an oil tanker of super-shenanigans are shaken into a comically oversized martini that is garnished with an existential olive. A billion different art styles collide, […]
